Songs and writings: oral and literary cultures in early-modern Finland renews the understanding of exchange between the learned culture of clergymen and the culture of commoners, or “folk”. What happened when the Reformation changed the position of the oral vernacular language to literary and ecclesiastical, and when folk beliefs seem to have become an object for more intensive surveillance and correction? How did clergymen understand and use the versatile labels of popular belief, paganism, superstition and Catholic fermentation?
Why did they choose particular song languages, poetic modes and melodies for their Lutheran hymns and literary poems, and why did they avoid oral poetics in certain contexts while accentuating it in others? How were the hagiographical traditions representing the international medieval literary or “great” tradition adapted to “small” folk traditions, and how did they persist and change after the Reformation? What happened to the cult of the Virgin Mary in local oral traditions?
The first Finnish 16th-century reformers admired the new Germanic models of Lutheran congregational hymns and avoided the Finnic vernacular Kalevala-metre idiom, while their successors picked up many vernacular traits, most notably alliteration, in their ecclesiastical poetry and hymns. Over the following centuries, the new features introduced via new Lutheran hymns such as accentual metres, end-rhymes and strophic structures were infusing into oral folk poetry, although this took place also via secular oral and literary routes. On the other hand, seventeenth-century scholars cultivated a new academic interest in what they understood as “ancient Finnish poetry”.
The book has an extensive English Summary for the international readership.Book Details
The Protestant Reformation began in Germany in 1517, and the adoption of Lutheranism was the decisive impetus for literary development in Finland. As the Reformation required the use of the vernacular in services and ecclesiastical ceremonies, new manuals and biblical translations were needed urgently.
The first Finnish books were produced by Mikael Agricola. He was born an ordinary son of a farmer, but his dedication to his studies opened up the road to leading roles in the Finnish Church. He was able to bring a total of nine works in Finnish to print, which became the foundation of literary Finnish.
The first chapter outlines the historical background necessary to understand the life’s work of Mikael Agricola. The second chapter describes Agricola’s life. Chapter three presents the Finnish works published by Agricola. The fourth chapter is a depiction of Agricola’s Finnish. Agricola carried out his life’s work as part of a network of influential connections, which is described in chapter five. The sixth chapter examines the importance of Agricola’s work, research on Agricola and Agricola’s role in contemporary Finnish culture. The book mainly focuses on language and cultural history, but in terms of Church history, it also provides a review on the progression and arrival of the Reformation to Finland.
Finnish is a Uralic language but the source languages of Agricola’s translations – Latin, German, Swedish and Greek – were all Indo-European languages. Thus, the oldest Finnish texts were strongly influenced by foreign elements and structures. Some of those features were later eliminated whereas others became essential constituents of standard Finnish. To illustrate this development, the Finnish in Agricola’s works has systematically been compared with the standard contemporary language.Book Details
As the highest internal decision-making body within the Evangelical Lutheran Church of Finland, the General Synod began, from 1876, congregating in Turku every tenth, and then eventually, every fifth year. By the 1960s, this decision-making system was becoming unsatisfactory. An extensive project to answer to the general ideals of the era and to strengthen the efficiency and democracy of the Church administration was initiated.
The reformed General Synod got underway in 1974 with biannual gatherings. It was a body consisting of 108 members, including lay representatives, clergymen and the bishops. The General Synod retained its right to decide on ecclesiastical books and continued to hold the sole right to make proposals regarding the Church Act. A new task was to decide on the budget of the entire Church organisation and to steer the activities of the Church as a whole. Additionally, the General Synod received the general authority to handle any issues related to faith and doctrine, such as ecumenical issues.
The book Kansankirkko ristipaineessa (A national folk church under conflicting pressures) takes a close look at the General Synod representatives during the years 1974â2011 and clarifies who the members of the Synod were, how they were elected and what they achieved. The study examines which of these persons held the most power, and what types of coalitions stood out within the work of the General Synod.
In addition, the book aims to provide a general overall picture of the General Synod in relation to the Church, economic life, legislation, theological dialogue and the media. The study examines how well the intentions that drove the reform of the General Synod were realised and whether the General Synod was actually progressing as slowly or as briskly as expressed by different observers at different times.
Discussions surrounding female ordination, sexual ethics and ecclesiastical books indicate the position of the General Synod within an increasingly diversified society. During the first decade of the 2000s, the General Synod experienced a similar revolution in terms of values as it had when preparing the reform of the Synod around the turn of the 1960s and 70s. The Church began to find itself once again in a missionary situation.Book Details
Book culture has emerged as an extremely dynamic and border-crossing field of research, internationally and in Finland. The editors and most of the writers of this book were members of the organizing and program committees of the 18th Annual Conference of the Society for the History of Authorship, Reading and Publishing (SHARP), Book Culture from Below, that took place in Helsinki in 2010. This book provides, for the first time in English, an overview of an important epoch in Finnish book and reading history. Besides depicting book culture at the periphery of Europe, it contributes to our understanding of the power of the urbanized European literary world of the 1700s.
The new reading culture that emerged in Finland during the 1700s affected readers and all levels of society in many ways. Along with other trends, the arrival of translated fiction and Enlightenment literature from Europe opened and irrevocably altered the Finns’ world view. The change was especially pronounced in cities. Scholars, merchants, craftspersons, as well as military officers stationed at Helsinki’s offshore Sveaborg fortress, acquired world literature and guides intended for professionals at, for example, book auctions.
In this book, researchers from different fields examine the significance and influence of that era’s books from cultural, historical, ideological, and social perspectives. What kinds of books did the citizens of Helsinki really buy, loan, and read during the 1700s? What topics and ideas introduced by the new literature were discussed in salons and reading circles? Who were the books’ large-scale consumers? Who were the literary opinion leaders of their times? Why did people read? Did the books change their readers’ lives?Book Details